Step 2
Create a new layer called ‘polaroid’. Now use your rectangular
marquee tool to create a perfect square (do this by dragging outwards
and holding shift at the same time). Fill your square selection with
white. Then go to select>modify>contract and contract your
selection by 10px. Fill this selection with D6D6D6 (light gray). Then
select the bottom of your image (the bottom white edge of your polaroid)
and use the transform>scale tool to drag it downwards and increase
it’s height. You want to ideally make this bottom section about 3 times
its original height.
Step 3
Now duplicate your polaroid layer and move the duplicate behind the
original. Select the image using the magic wand and fill it with 9C9C9C
(medium gray). Then use your cursors to move the shape 1px down and 1px
left. Then duplicate this layer and move the duplicate underneath it.
Select the shape and fill it with 646464 (dark gray). Move this 1px down
and 1px to the left also. The result of this is a subtle drop shadow.
Now merge your polaroid layer down with your two shadow layers.
Step 4
Now with your merged polaroid layer selected go to
edit>transform>rotate and rotate it -30 degrees. Then go to
edit>transform>distort and play around with your image until it
looks something like the image below. Then finally go to
edit>transform>perspective and squeeze the top/bottom right
corners together very slightly to create a subtle perspective.
Step 5
Now go to edit>transform>scale and resize your duplicate layer
to 98% width and 98% height of the original. Also rotate it by -4
degrees in the same options bar. Move the image down by about 7px.
Step 6
Now keep repeating this technique, being careful to put each
duplicated layer beneath the layer from which it was duplicated. Also
remember to resize the new images to 98% of their original height and
width. Play with rotations and distance to move each polaroid down until
you’re happy with the results. Do this around 10-15 times until you
have something that looks good, then merge all of your duplicate
polaroid layers together, leaving the original polaroid image untouched.
Step 7
Now duplicate your merged layer and move this below the original.
Move it down so that it appears to be a continuation of the multiple
polaroids above it. Repeat this several times until you have a stack of
polaroids, then merge all of the duplicated layers, again leaving the
single, original polaroid in tact.
Step 8
Now with your merged layer selected go to
edit>transform>distort and pull together the bottom two corners of
your image, just enough to create a subtle perspective. This will leave
a slightly peice of the 2nd to top polaroid sticking out at the far
corner, so to get rid of this (it’s not physically possible as the
opposite corner also extends past the top polaroid), simply grab your
lasso tool, select it, and delete it.
Step 9
Paste in an image that you want to use for your top polaroid, making
sure that it is square (I cut mine out using the rectangle marquee,
whilst holding shift to create a perfect square selection). If you
remember for the top polaroid we rotated it to a -30 degree angle and
used the distort tool to alter it’s shape. Simply apply these same steps
to the photo, taking care to accurate fit each corner of the photo to
the inner corner of the polaroid image. If you can’t fit it exactly,
then hide your photo layer, use the magic wand tool to select the inner
square of the polaroid image, invert the selection, select your photo
layer and hit delete. This way you will delete the edges of the photo
that overlap the inner area of the polaroid.
Step 10
Use your line tool to apply dark gray lines to the furthers sides of
the photo on a new layer called ‘polaroid lines’. This will create a 1px
shadow, giving your image subtle depth.
Step 11
Now select your stack of polaroids layer and click somewhere around
it using the magic wand tool. Go to select>inverse to invert your
selection and select the stack of polaroids. Then create a new layer and
fill the selection with a gradient ranging from black at the bottom to
transparent at the top. Reduce the opacity of this layer to 40%. You now
have a shadow, giving your stack of polaroids slightly more depth.
Step 12
Now repeat this same technique, but drag a gradient across the top
polaroid, and reduce it’s opacity to 17%. Use the lasso selection tool
to clean up the untidy edge that is left from this technique.
Step 13
Now create a new layer above your polaroid stack layer and use a
small, soft, black brush set to 14% opacity to brush in some areas where
shadows are needed. Try to look out for areas where polaroids are
likely to cast a shadow on those beneath them, possibly from jutting out
or covering up others. The images below show the before/after effects
of this technique
Step 14
Paste in an wood texture photo onto a new layer below all of your
polaroid layers. Go to edit>transform>skew and skew the image
until it has a somewhat similar perspective to the polaroids. Then
desaturate the image, up it’s contrast by 70 and reduce the layer
opacity to 8%. Then go to edit>transform>scale and widen the image
so that it spans all the way across. Finally go to layer>add layer
mask>reveal all and drag a black-transparent gradient upwards to fade
out the top of your wood texture.
Step 15
Now create a new layer above your wood texture layer and drag a
radial gradient outwards, ranging from white to transparent. Then reduce
this new layer’s opacity to 50% to create a subtle background gradient.
Then create a new layer and create a smaller radial gradient ranging
from the center of your larger radial gradient to create a nice looking
light spot. Reduce this layer’s opacity to 60%.
Step 16
Now select your top polaroid layer and duplicate it. Resize your
duplicate layer and move it to be level with the bottom of your polaroid
stack. You will need to use distort to make your polaroid fit the
perspective and wood texture surface that you have created. Duplicate
this new layer 3 more times to create a variety of polaroids, each which
will need to be rotated/distorted to fit nicely together.
Step 17
Now open up some more square photos or images and paste them over
your new polaroids, fitting them perfectly using
edit>transform>distort.
Step 18
Now use your line tool to draw in some black lines where the
polaroids overlap. This will define them better as well as create a
shadow where the objects overlap. I reduced the layer opacity to 30% to
reduce the harshness of the black.
Step 19
Now I add some text (Helvetica Neue, 25 Ultra Light), and give the
text a nice gradient background using my rectangular marquee tool and
linear gradient tool.
Step 20
Now use your path tool to make a curved line ranging across your
image on a new layer. Then move this layer below your polaroid layers
but above your background layer, and with a white, 1px brush selected
right click on the path and click stroke path. Delete the path and you
are left with a nice right line. Then apply the outer glow settings
shown below and duplicate your glowing line layer multiple times, each
time moving the duplicate 5px down. Finally, we want to merge all of
these glowing line layers, but if we simply merge down then the outer
glow effect
gets multiplied and becomes too intense. Instead, we must
hide the glow effect on all layers but the original, and then merge
down, meaning that the line layers will only have the outer glow applied
once. Then reduce the layer opacity of this merged layer to 40%. You
can see the effect of this below:
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